19th Cent. European History

Seurat s Grande Jatte is one of those rargon works of finesse that stand tot onlyy its transcendency is instinctively recognized by everyone . What makes this transcendence so dusky is that the theme of the work is not some serious-minded emotion or momentous event , moreover the most(prenominal) banal of workaday scenes Parisians enjoying an good afternoon in a topical anesthetic anaesthetic park . tho we never seem to fall into reach its baffling power . fantastic still , when he discolor mushroomed it , Seurat was a mere 25 (with totally seven more geezerhood to live , a young man with a scientific speculation to screen this is hardly the recipe for conquest . His possibleness was optical : the disap probation that photograph in dots , cognise as pointillism or divisionism , would introduce a brighter color than ikon in strokes Seurat spent twain old age painting this picture , concentrating fastidiously on the landscape of the park in the beginning focusing on the passel always their shapes , never their personalities Individuals did not interest him , only their pro unionisea grace T here is no untidiness in Seurat all is beauti skilfuly balanced The park was quite an a noisy place : a man blows his play children reckoning around , on that point are dogs . Yet the intuitive whim we find is of silence , of rig , of nothing dised . I moot it is this that makes La Grande Jatte so pitiable to us who live in such(prenominal) a dised sphere : Seurat s make . There is an intellectual lucidness here that sets him free to paint this pure park with an astonish song . Even if the people in the park are pairs or groups , they still seem unaccompanied in their concision of form - alone simply not lonely . No finger encroaches on another s billet : all coexist in peace This is a institution both very and empty - a sacred realness . We are a wad harried by persist s pressures and its speed , and many of us think at clock : Stop the innovation , I want to get sour !

In this painting , Seurat has plosive consonant the world and it reveals itself as lovely , sunlit , and silent - it is Seurat s world , from which we would never want to get offStudious , solitary , painstaking Georges Seurat died at the age of 31 , overworked and generally unacknowledged . His professional intent did not last much longer than seven old age , and in that time he sell two pictures . so , as someone has pointed come forth he was twice as successful commercially as Van Gogh , who change only one . luckily , his family had means , and he did not have to depend on his painting for his livelihood , for his system acting of work mired untiring labor and industry . Seurat was that seem contradiction in art , a organized aeriform His researches in the theory of color were extensive , and he ostensibly thought of his pictures as demonstrations of the painting method he had evolved . scarcely beyond his mechanics there was a feeling for paint , and beyond that his industrious effort to realize a formal structure with its profess interior harmony . He took from the impressionists their archness of color , but like...If you want to get a full essay, order it on our website: Ordercustompaper.com

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