Orson Welles Citizen Kane is a cleverly crafted movie told in a sequent of flashbacks telling the story of a man who manages to distance himself from everyone he interjects into contact with. Throughout the film Welles uses mise-en-scene and cinematography dyad deliberately and subconsciously to point things out and foreshadow things to set about to the audience. Specifically the relationship of Susan and Kane can be used as an example. In the scenes involving Susan and Kane many cinematic effects be used. Among them be Kanes dominance and control over Susan, and the way Kane exhibits love as power. Specifically, however we can point to the series of events in which Susan and Kane ar at Xandu prior to their breakup. Beginning with the scene straightaway following(a) Susans self-destruction attempt and concluding with the scene of Susan slapping Kane we see a masterfully crafted epoch that sharply depicts their relationship and Kanes personality. Here we overhear a perfect example of how deliberately to date discreetly we argon given the signal of things to come; the slow yet tranquillize decline of their marriage.
The duration and decline of Susan and Kanes relationship is render in a series of scenes in a sequence that begins immediately following Susans suicide attempt with a thaw into exterior supposition of the monumental, ominous, evil looking, fog shadowed Xanadu followed by the inside of the parlor inside Xanadu and then the close up shot of Susans hand working a jigsaw puzzle. In these truthful shots, we are told rapidly and concisely that the marriage is f ailing. The massive Xanadu represents the so! reness of the relationship between Susan and Kane; its followed by the luxurious inside, by venture representing the potential passion or love. The close up of the tremendous jigsaw puzzle with Susans hand putting in the pieces... If you poverty to get a full essay, order it on our website:
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